Cal Roscow, Paperweight's editor-in-chief, writes from London, moonlighting as resident restaurant and culture critic, travel writer, and social sciences editor.
This month the Southbank plays host to two gender-switched castings. Both the world of The Misanthrope and of Glengarry Glen Ross are turned on their heads, but these productions are poles apart.
Recently I discovered that none of my colleagues are that worried about dying. Yes, some are a bit concerned, but reassure themselves that there's no point thinking too
